| Biography of the artist |
| Page 2 of 4 In 1913 while attending high School in Khoronfich, Chafik was again helped by another painter Father, who gave the young aspiring artist Chafik the ultimate task of decorating the College Theater, and what an experience it was. In class Chafik spent time sketching portraits of his teachers and classmates who proudly posed for the young artist. Chafik having good academic grades, was later permitted to take painting lessons only as a hobby, with Scarlatti, Sirigitis and with Tennyson Call the King George portraitist who was in Cairo in 1919. Bending to the aspiration of his father, Chafik was now in the faculty of civil engineering at Fouad the First University in Cairo, however, his father's sudden death changed the course of the life of this young artist forever. Soon after his father's death Chafik dropped out of the university in his second year, got married to Marie (the daughter of Amin Pasha Ghali) in 1921 and left for Italy with his wife to fulfill his dream and study painting at the academy of fine arts of Rome. It is under, the teaching of Professor Umberto Coromaldi that Chafik's special feelings of warmth and the artistic touch started to be expressed in his paintings in a way only an artist can express. While in Rome, Chafik visited and worked in many studios, where he met his compatriots and painters Youssef Kamel and Ragheb Ayad, who became his friends. At the same period at "St-Cecile" Chafik came to meet a young talented Egyptian artist studying theater, they will become best friends for the rest of their lives: the great artist and actor Abdel Koudous, who later married "Rosa El-Youssef", founder of the famous Egyptian magazine with the same name. In 1924, with a diploma in art from the Rome institute of fine arts, Chafik returned to Cairo and was charged by King Fouad the First to teach at the still new School of fine Arts of Cairo. But the artist valued his independence more and would not be restricted to courses, fixed hours and paper-work so a few month later he tendered his resignation in order to "be free like a bird". |
| RAS EL-BAR The Ras El-Bar beach resort, bordered by the Damietta branch of the Nile on the east and the Mediterranean Sea on the north and west, appears on a map like a stretching arm that separates Egypt's source of life from a briny sea. Ras El-Bar’s history as a seaside resort dates back to 1823, when a group of the Sufi order sheikhs and their followers started a tradition of annually sailing north on the Nile from Damietta to celebrate the Sheikh Girby’s anniversary at his birthplace in the south of Ras El-Bar. The Girby region, which is located at the mouth of the river, now, carries numerous hotels, restaurants and casinos. Beach cottages initially built of basket-woven bamboo and later reinforced with stone basis, offer a unique charm to this resort, which also houses the Sheikh Youssef fortress as well as the Ras El-Bar light house, which Charobim both captured in his paintings, in addition to the serene beaches and eye-catching cottages. Together with his family, Charobim enjoyed numerous summer vacations in this resort in which he found scenery which enchanted his artistic eye and inspired his imagination. What attracted him the most in this haven was its natural simplicity. During the 1960's, the only means of transport allowed in this little resort was a Disney-Land-type of small red train, bicycles and horses on which children could take rides. The latter was an enchanting sight which the artist also immortalized in one of his works of art. And he did well, as coastal retreat represents a substantial departure from the history of the area. The Delta shoreline that had been advancing throughout the history of the Delta formation is now retreating. Villages and seaside resort establishments, notably Ras-El-Bar are gradually losing ground. From 1902 to 1960 the length of the Ras El-Bar peninsula has decreased by about 1800 meters, an average of 31 meters per year. The retreat is the sum of two opposite processes; the natural process of building the Delta by the annual load of sediments brought to the shoreline by the river flood; and the erosion action of waves and a westward shoreline current that prevails throughout the main part of the year. This erosion varies locally but its main effect is the distribution of bodies of coastal sand dunes, which are burying villages on one side and exposing the shoreline on the other side. Contrary to the earlier history of the area, this contemporary coastal retreat is linked to river control schemes, such as the Delta Barrages (1881), the Aswan Dam (1902) and the Aswan High Dam (1967). The High Dam brings the Nile under full control and reduces the water discharged into the sea and its load of sediments to almost nil. Source Wikipedia, encyclopedia |
| An old popular Egyptian seaside vacation destination (Ras ElBar) Oil on wood (28.5 X 19 cm) 1949 |



| The Art of Chafik Charobim |
| www.charobim.com |
